Behind the Mind: The Making of Beaner Man
Now that you've seen Beaner Man, I thought I would introduce you to the two visual effects artist who brought the Superhero to life; Eric McGilloway, and Eric Silva. They both joined the show second season, and since then they have created many of the amazing effects on the show.
Eric McGilloway ->
Q: So how did you think Beaner Man turned out?

EM: Awesome. I haven't really been able to enjoy it yet. I was tweaking it up until Friday night. We even shot the pregnant scene the day of the show. But everyone on the staff seemed really pleased, and the audience went nuts when we played it live in the studio. People come up to me, and tell me how impressive it is. I always say, "I'm impressed too. I'm impressed that we got it done in our time frame.
Q: You didn't have a lot of time? Eric Silva ->
EM: Look, it's TV. It's very fast paced. The whole project took about three weeks and that's from shooting to air. That's fast - maybe not for five people...but for two?!
ES: Plus we were working on other stuff as well. Preacher Carlos...
EM: "Jobs They Shouldn't do."
ES: Performing with my band, Capulet. By the way check out Capuletmusic.com.
Q: What amazes me, is you guys are always here late with me, yet you never hear about any blow ups? Down in the writers area it's always noisey, but here, quiet. How do you make it look so smooth?
EM: We have our moments - but otherwise. I don't know. We just work well together.
Q: Back to Beaner Man, how do you approach a project like this?
EM: The script was hilarious, and we just wanted to make sure we honored the scope of the project. We wanted it to have that summer blockbuster super hero feel, but at the same time be funny. It can't just look real, and cool...it has to make you laugh. After all it's a comedy show.
ES: 80% of Beaner Man was shot on Green Screen. Except for the fight sequence with Mario Lopez, and the children in the classroom - everything was a visual effect. The pictures will give you example of how it comes together.
EM:We would shoot Ned acting in a solid green room, and then digitally insert the backgrounds, and visual effects on the computer. (such as the Salsa flying out of his suit photo down below)
Q: Is it hard to make everything match?
EM: Surprisingly no. It takes work to make it look awesome, but matching it is never a problem here. The reason, Carlos Mencia's performance. His technical awareness and his body placement is impecible.
ES: I think him being an engineer major has something to do with that.
EM: When it's already a funny performance - it makes everything much easier.
Q: Any final thoughts?
EM: I just think it's worth mentioning, that the Mind of Mencia is a very visual effects heavy show. Which, I think, makes the show one of the most cuttting edge comedy TV shows out there. Very few other, non Network Action shows, do what we do on the Mind of Mencia.
ES: We're breaking new ground.
If anyone out there has any questions for the visual effects guys, post them and I'll make sure they're answered.
- D. Lucky